New York Classical Review6h
Slatkin returns to Philharmonic with American music and Shostakovich
In between was the New York premiere of John Corigliano’s Triathalon, a saxophone concerto that featured soloist Timothy ...
New York Classical Review1d
Pianist Andsnes shines in rare sonatas of Norway at Carnegie
Representing one’s home country abroad is serious business, and pianist Leif Ove Andsnes took it seriously in his Carnegie ...
New York Classical Review3d
Met’s enjoyable”Zauberflöte” finds true art in theatrical artifice
Sunday afternoon, the Metropolitan Opera opened its revival of Simon McBurney’s production of Mozart’s Die Zauberflöte.
New York Classical Review7d
Cleveland Orchestra’s extraordinary playing brings fresh meaning to familiar music
Wednesday night’s Carnegie Hall concert from the Cleveland Orchestra, conducted by music director Franz Welser-Möst, was ...
New York Classical Review3d
WA Sinfonietta makes energetic debut with Neidich as conductor-soloist
The latest entry in this field, the WA Sinfonietta founded by clarinetist and conductor Charles Neidich, made an auspicious ...
New York Classical Review13d
Driver brings a myriad of illumination to Carnegie recital
Some concerts illuminate a single idea. Danny Driver’s recital at Carnegie Hall Thursday evening illuminated many, revealing ...
New York Classical Review13d
From Varèse to Gershwin and a Ravel premiere, Dudamel does it all with Philharmonic
Gustavo Dudamel made a rare visit to his orchestra-to-be Thursday night, energetically leading the New York Philharmonic in ...
New York Classical Review12d
Nilsson’s luminous debut lifts the Met’s Tomb Raider “Aida”
Nilsson may be the most demure Aida ever to grace the Met stage. Her simple sheath instantly marks her as an outsider, but her regal bearing is that of a princess. Simplicity was Nilsson’s trump card, ...